Guaranteed, the hook will throw many off but frankly, its pant wettingly funny. Pull Up On Ya 2. Radric Davis 2: The Caged Bird Sings on December 25 and reveals the front cover. The album opens with 'Classical', a song with such a ridiculous chorus you seriously ponder weather Gucci was aiming for parody or not. . He rarely shows any heart or lets his persona slip until the last track 'Worst Enemy' where Gucci offers an olive branch to long time Atlanta rivals, T.
Gucci mane is a talented rapper who is easy to look past as another trap joke. While largely simple is subject matter, Gucci is more than technically profecient. Jackie Chan featuring Migos 3. The production is a bouncy southern synth affair with spazzy bombastic beat drops that are as catchy as they are turn upable. I love gucci and the way he spit on this album and his guests this album is 100% fire.
Gucci Mane is a mindless thug to most but hidden behind his gangsterisms is a witty, intelligent and skillful man. At the end of the day, delivers the full spectrum of , showing both the cash and yellow diamond-loving side, as well as his more reflective or at least more self-aware side. Ice Cold featuring Verse Simmonds 12. Still, gucci goes in with a double time flow and throwing together clever bars. Gucci Mane is a mindless thug to most but hidden behind his A southern masterpiece that, as of late, has been criminally underrated. Its a honest and satifying end to a thrilling project that gives us a peek at who gucci really is. Just the opening to the harsh buzz saw synth heavy Photo shoot, annoyingly, a track restricted to the bonus edition.
Best Gucci Album … A southern masterpiece that, as of late, has been criminally underrated. Merry Christmas, you filthy animals. True to form, the bling-loving rapper brings the club-ready Dirty South rap, complete with trunk-rattling bass and trademark synths. Tell Me Nothing featuring Young Scooter 9. Wish You Was Me 11.
Fugitive featuring Peewee Longway and Young Dolph 13. Any Thing featuring Young Thug 16. . . . .
. . . . .
. . . . . .
. . . . . .